The Djinn in the Nightingale's Eye Page 2

  ‘Next day I tried to warn my brother, and it was as the black artist had said. When I opened my mouth to speak on this topic it was as though my lips were sewn together with great stitches in the flesh, and my tongue would not move in my mouth. Yet I might ask to have the salt passed, or discourse of the evil weather, and so my brother, to my great chagrin, noticed nothing, but set out blithely to go hunting with his new friend, leaving me at home to sit by the hearth, and to feel silent anguish at what might ensue. All day I sat so, and in the late afternoon, when the shadows were long on the castle lawns and the last rays of the sun were brassy and chill, I knew with certainty that something terrible had happened, and ran out of the castle, and away to the dark woods. And out of the dark woods came the black man, leading his horse on one arm, and on the other a tall grey hound with the saddest face I have ever seen on any creature. He told me my brother had suddenly gone away, and would return no more for a great and uncertain length of time and had left me, and the castle, in charge of him, the dark magician. He told me this gaily, as if it did not much matter whether I believed it or no. I said I would by no means submit to such injustice and was glad to hear my own voice steady and confident, for I feared my lips might again be sewn into silence. When I spoke great tears fell from the eyes of the grey hound, more and more, heavier and heavier. And I knew in some sort, I think, that the animal was my brother, in this meek and helpless form. Then I was angry, and said he should never come into my house, nor come near me, with my good will. And he said that I had perceived correctly, that he might do nothing without my good will which he would strive to gain, if I would allow it. And I said, this should never be, and he must never hope for it. Then he became angry, and threatened that he would silence me forever, if I would not agree. I said that without my dear brother I had little care where I was, and no one I wished to speak to. Then he said I should see whether that was so after a hundred years in a glass coffin. He made a few passes and the castle diminished and shrank, as you see it now, and he made a pass or two more and it was walled with glass as you see. And my people, the men and maidservants who came running, he confined as you see, each in a glass bottle, and finally closed me into the glass coffin in which you found me. And now, if you will have me, we will hasten from this place, before the magician returns, as he does from time to time, to see if I have relented.’

  ‘Of course I will have you,’ said the little tailor, ‘for you are my promised marvel, released with my vanished glass key, and I love you dearly already. Though why you should have me, simply because I opened the glass case, is less clear to me altogether, and when, and if, you are restored to your rightful place, and your home and lands and people are again your own, I trust you will feel free to reconsider the matter, and remain, if you will, alone and unwed. For me, it is enough to have seen the extraordinary gold web of your hair, and to have touched that whitest and most delicate cheek with my lips.’ And you may ask yourselves, my dear and most innocent readers, whether he spoke there with more gentleness or cunning, since the lady set such store on giving herself of her own free will, and since also the castle with its gardens, though now measurable with pins and fine stitches and thumbnails and thimbles, were lordly and handsome enough for any man to wish to spend his days there. The beautiful lady then blushed, a warm and rosy colour in her white cheeks, and was heard to murmur that the spell was as the spell was, that a kiss received after the successful disintegration of the glass casket was a promise, as kisses are, whether received voluntarily or involuntarily. Whilst they were thus disputing, politely, the moral niceties of their interesting situation, a rushing sound was heard, and a melodious twanging, and the lady became very agitated, and said the black magician was on his way. And our hero, in his turn, felt despondent and fearful, for his little grey mentor had given him no instructions for this eventuality. Still, he thought, I must do what I can to protect the lady, to whom I owe so much, and whom I have certainly, for better, for worse, released from sleep and silence. He carried no weapon save his own sharp needles and scissors, but it occurred to him that he could make do with the slivers of glass from the broken sarcophagus. So he took up the longest and sharpest, wrapping its hilt round in his leather apron, and waited.

  The black artist appeared on the threshold, wrapped in a swirling black cloak, smiling most ferociously, and the little tailor quaked and held up his splinter, thinking his foe would be bound to meet it magically, or freeze his hand in motion as he struck. But the other merely advanced, and when he came up, put out a hand to touch the lady, whereupon our hero struck with all his might at his heart, and the glass splinter entered deeply and he fell to the ground. And behold, he shrivelled and withered under their eyes, and became a small handful of grey dust and glass powder. Then the lady wept a little, and said that the tailor had now twice saved her, and was in every way worthy of her hand. And she clapped her hands together, and suddenly they all rose in the air, man, woman, house, glass flasks, heap of dust, and found themselves out on a cold hillside where stood the original little grey man with Otto the hound. And you, my sagacious readers, will have perceived and understood that Otto was the very same hound into which the young brother of the lady of the coffin had been transformed. So she fell upon his grey hairy neck, weeping bright tears. And when her tears mixed with the sally-tears that fell down the great beast’s cheek, the spell was released, and he stood before her, a golden-haired young man in hunting-costume. And they embraced, for a long time, with full hearts. Meanwhile the little tailor, aided by the little grey man, had stroked the glass case containing the castle with the two feathers from the cock and hen, and with a strange rushing and rumbling the castle appeared as it must always have been, with noble staircases and innumerable doors. Then the little tailor and the little grey man uncorked the bottles and flasks and the liquids and smokes flowed sighing out of the necks of them, and formed themselves into men and women, butler and forester, cook and parlourmaid, all mightily bewildered to find themselves where they were. Then the lady told her brother that the little tailor had rescued her from her sleep and had killed the black artist and had won her hand in marriage. And the young man said that the tailor had offered him kindness, and should live with them both in the castle and be happy ever after. And so it was, and they did live happily ever after. The young man and his sister went hunting in the wild woods, and the little tailor, whose inclination did not lie that way, stayed by the hearth and was merry with them in the evenings. Only one thing was missing. A craftsman is nothing without the exercise of his craft. So he ordered to be brought to him the finest silk cloth and brilliant threads, and made for pleasure what he had once needed to make for harsh necessity.

  Gode’s Story

  En pleine mer, René Quillivic, born 1877

  There was once a young sailor who had nothing but his courage and his bright eyes—but those were very bright—and the strength the gods gave him, which was sufficient.

  He was not a good match for any girl in the village, for he was thought to be rash as well as poor, but the young girls liked to see him go by, you can believe, and they liked most particularly to see him dance, with his long, long legs and his clever feet and his laughing mouth.

  And most of all one girl liked to see him, who was the miller’s daughter, beautiful and stately and proud, with three deep velvet ribbons to her skirt, who would by no means let him see that she liked to see him, but looked sideways with glimpy eyes, when he was not watching. And so did many another. It is always so. Some are looked at, and some may whistle for an admiring glance till the devil pounces on them, for so the Holy Spirit makes, crooked or straight, and naught to be done about it.

  He came and went, the young man, for it was the long voyages he was drawn to, he went with the whales over the edge of the world and down to where the sea boils and the great fish move under it like drowned islands and the mermaids sing with their mirrors and their green scales and their winding hair, if tales are to be believed. He was first u
p the mast and sharpest with the harpoon but he made no money, for the profit was all the master’s, and so he came and went.

  And when he came he sat in the square and told of what he had seen, and they all listened. And the miller’s daughter came, all clean and proud and proper, and he saw her listening at the edge and said he would bring her a silk ribbon from the East, if she liked. And she would not say if she liked, yes or no, but he saw that she would.

  And he went again, and had the ribbon from a silk-merchant’s daughter in one of those countries where the women are golden with hair like black silk, but they like to see a man dance with long, long legs, and clever feet and a laughing mouth. And he told the silk-merchant’s daughter he would come again and brought back the ribbon, all laid up in a perfumed paper, and at the next village dance he gave it to the miller’s daughter and said, ‘Here is your ribbon.’

  And her heart banged in her side, you may believe, but she mastered it, and asked coolly how much she was to pay him for it. It was a lovely ribbon, a rainbow-coloured silk ribbon, such as had never been seen in these parts.

  And he was very angry at this insult to his gift, and said she must pay what it had cost her from whom he had it. And she said,

  ‘What was that?’

  And he said, ‘Sleepless nights till I come again.’

  And she said, ‘The price is too high.’

  And he said, ‘The price is set, you must pay.’

  And she paid, you may believe, for he saw how it was with her, and a man hurt in his pride will take what he may, and he took, for she had seen him dance, and she was all twisted and turned in her mind and herself by his pride and his dancing.

  And he said, if he went away again, and found some future in any part of the world, would she wait till he came again and asked her father for her.

  And she said, ‘Long must I wait, and you with a woman waiting in every port, and a ribbon fluttering in every breeze on every quay, if I wait for you.’

  And he said, ‘You will wait.’

  And she would not say yes or no, she would wait or not wait.

  And he said, ‘You are a woman with a cursed temper, but I will come again and you will see.’

  And after a time, the people saw that her beauty dimmed, and her step grew creeping, and she did not lift her head, and she grew heavy all over. And she took to waiting in the harbour, to see the ships come in, and though she asked after none, everyone knew well enough why she was there, and who it was she waited for. But she said nothing to anyone. Only she was seen up on the point, where the Lady Chapel is, praying, it must be thought, though none heard her prayers.

  And after more time, when many ships had come and gone, and others had been wrecked, and their men swallowed, but his had not been seen or heard of, the miller thought he heard an owl cry, or a cat miawl in his barn, but when he came there was no one and nothing, only blood on the straw. So he called his daughter and she came, deathly-white, rubbing her eyes as if in sleep, and he said, ‘Here is blood on the straw,’ and she said, ‘I would thank you not to wake me from my good sleep to tell me the dog has killed a rat, or the cat eaten a mouse here in the barn.’

  And they all saw she was white, but she stood upright, holding her candle, and they all went in again.

  And then the ship came home, over the line of sea and into the harbour, and the young man leaped to the shore to see if she was waiting, and she was not. Now he had seen her in his mind’s eye, all round the globe, as clear as clear, waiting there, with her proud pretty face, and the coloured ribbon in the breeze, and his heart hardened, you will understand, that she had not come. But he did not ask after her, only kissed the girls and smiled and ran up the hill to his house.

  And by and by he saw a pale thin thing creeping along in the shadow of a wall, all slow and halting. And he did not know her at first. And she thought to creep past him like that, because she was so altered.

  He said, ‘You did not come.’

  And she said, ‘I could not.’

  And he said, ‘You are here in the street all the same.’

  And she said, ‘I am not what I was.’

  And he said, ‘What is that to me? But you did not come.’

  And she said, ‘If it is nothing to you, it is much to me. Time has passed. What is past is past. I must go.’

  And she did go.

  And that night he danced with Jeanne, the smith’s daughter, who had fine white teeth and little plump hands like fat rosebuds.

  And the next day he went to seek the miller’s daughter and found her in the chapel on the hill.

  He said, ‘Come down with me.’

  And she said, ‘Do you hear little feet, little bare feet, dancing?’

  And he said, ‘No, I hear the sea on the shore, and the air running over the dry grass, and the weathercock grinding round in the wind.’

  And she said, ‘All night they danced in my head, round this way and back that, so that I did not sleep.’

  And he, ‘Come down with me.’

  And she, ‘But can you not hear the dancer?’

  And so it went on for a week or a month, or two months, he dancing with Jeanne, and going up to the chapel and getting only the one answer from the miller’s daughter, and in the end he wearied, as rash and handsome men will, and said, ‘I have waited as you would not, come now, or I shall wait no more.’

  And she, ‘How can I come if you cannot hear the little thing dancing?’

  And he said, ‘Stay with your little thing then, if you love it better than me.’

  And she said not a word, but listened to the sea and the air and the weathercock, and he left her.

  And he married Jeanne the smith’s daughter, and there was much dancing at the wedding, and the piper played, you may believe, and the drums hopped and rolled, and he skipped high with his long along legs and his clever feet and his laughing mouth and Jeanne was quite red with whirling and twirling, and outside the wind got up and the clouds swallowed the stars. But they went to bed in good spirits enough, full of good cider, and closed their bed-doors against the weather and were snug and tumbled in feathers.

  And the miller’s daughter came out in the street in her shift and bare feet, running this way and that, holding out her hands like a woman running after a strayed hen, calling ‘Wait a little, wait a little.’ And some claimed to have seen a tiny naked child dancing and prancing in front of her, round this way, back widdershins, signing with little pointy fingers and with its hair like a little mop of yellow fire. And some said there was nothing but a bit of blown dust whirling in the road, with a hair or two and a twig caught in it. And the miller’s apprentice said he had heard little naked feet patting and slip-slapping in the loft for weeks before. And the old wives and the bright young men who know no better said he had heard mice. But he said he had heard enough mice in his lifetime to know what was and was not mice, and he was generally credited with good sense.

  So the miller’s daughter ran after the dancing thing, on through the streets and the square and up the hill to the chapel, tearing her shins on the brambles and always holding out her hands and calling out ‘Wait, oh wait.’ But the thing danced on and on, it was full of life, you may believe, it glittered and twisted and turned and stamped its tiny feet on the pebbles and the turf, and she struggled with the wind in her skirts and the dark in her face. And over the cliff went she, calling ‘Wait, wait,’ and so fell to her death on the needle-rocks below and they got her back at low tide, all bruised and broken, no beautiful sight at all, as you may understand.

  But when he came out into the street and saw it, he took her hand and said, ‘This is because I had no faith and would not believe in your little dancing thing. But now I hear it, plain as plain.’

  And poor Jeanne had no joy of him from that day.

  And when Toussaint came he woke in his bed with a start and heard little hands that tapped, and little feet that stamped, all round the four sides of his bed, and shrill little voices calling in tongu
es he knew not, though he had travelled the globe.

  So he threw off the covers, and looked out, and there was the little thing, naked, and blue with cold yet rosy with heat so it seemed to him, like a sea fish and a summer flower, and it tossed its fiery head and danced away and he came after. And he came after and he came after, as far as the Baie des Trépassés, and the night was clear but there was a veil of mist over the bay.

  And the long lines of the waves came in from the Ocean, one after another after another, and always another, and he could see the Dead, riding the crests of them, coming in from another world, thin and grey and holding out helpless arms, and tossing and calling in their high voices. And the dancing thing stamped and tossed on and on, and he came to a boat with its prow to the sea, and when he came into the boat he felt it was full of moving forms pressed closely together, brimming over but unseen.